Proving Masculinity in Sag Harbor

     When we read Whitehead's Sag Harbor, we can see that throughout the story, a lot of the characters, particularly in Benji's friend group, have a sort of desire to carry themselves across in the most masculine way possible, whether this be in roast battles or games they play throughout Sag Harbor, Benji and his crew are always trying to seem tough and cool in the eyes of each other. This desire for seeming as cool and fitting as possible is something I've seen throughout all coming of age books we've seen this year, from Holden's facade of toughness to Esther's initial attempts to fit in with her schoolmates, to the Bechdels' hidden aspects of their lives and Jason Taylor's self edition. Wanting to fit in is a big part of one's coming of age story, and is probably something that everyone's wanted to do at least once in their lives. We see this in Benji now, multiple times throughout Sag Harbor. I've seen this happen a lot, but I'll only talk about two of the times I've spotted it.

    I first saw this in almost all of the numerous scenes where Benji spends time with his friends. Throughout the book, the crew are seen engaging in a sort of "roast battles". In these, a member of the group insults another in the most creative way possible, often ending with something along the lines of " in' motherfucker". An example of this is seen on page 42. "“You fuckin' Cha-Ka from Land of the Lost–lookin' motherfucker," (Whitehead 42). When challenged in this way, the targeted member of the group must also respond in the most creative way possible, probably "winning" the battle if their get-back is even more creative. By doing this, members of Benji's friend group show attempts of proving themselves to be as masculine as possible. They do this by, in a way, challenging the target of the insult, and almost "asserting dominance."

    When Benji and his friends are preparing to play with the B.B Guns, I saw that they attempt to seem as tough and cool as possible two major times throughout the entire scene. The first one I saw through the earlier parts, in which all of them are passing the B.B guns around and posing with them. We see that a lot of them make attempts to seem tough and cool, often replicating covers and pictures from popular culture. I also saw this happen shortly after Benji takes the gun. When he declines the offer to hold the gun, his friends do not respond positively, instead answering with "What are you, a pussy?" (Whitehead 117). We see that Benji's friends immediately respond in a way that would almost set them at a "higher status". You could suggest they're almost saying "Look at us, we're all holding the B.B gun and you aren't because you're scared." 

Comments

  1. Yo whattup thun, I really liked the connection you made between Sag Harbor and the other coming-of-age novels we’ve read this year. The idea that Benji and his friends are constantly performing masculinity to fit in feels really accurate, especially in the roast battle scenes and the B.B. gun scene. Your point about fitting in being something almost everyone experiences made the analysis feel relatable beyond just the novel itself. I also thought your comparison to Holden, Esther, Jason, and the Bechdels helped show how this pressure to create a “cool” or acceptable version of yourself appears in different ways across all these stories. Good Job!

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  2. Hi Samuel, what a great blog you got there! I like this specific topic choice because I myself talked a little about it in my blog post too about family dynamics in Sag Harbor. The specific quotes you present in your blog is also really nice to have and something I wish I did. Have a great summer!

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  3. I think the way masculinity is portrayed among Benji's friends is really interesting. While it seems innocent enough at first, it takes on a more sinister quality as Benji talks about the lasting injury he was left with after the BB gun fight, and how multiple of his peers would go on to die from gun violence as they got older. The book shows both how the "macho" identity appeals to young boys and shows how it can lead them to ruin.

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  4. Great blog Samuel! The way you explained how roast battles are actually used to assert dominance and perform masculinity makes so much sense. And the way you describe Benji and his friends using BB guns to look cool is super accurate.

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  5. I think it's no accident that the theme of rap's "coming of age" is reintroduced in "The Gangsters." As you note, there's a lot of overlap between the "roast battles" the crew engages in and battle rapping or beef tracks, which we get a hilarious example of in "Breathing Tips" with the Roxanne Wars. But in "The Gangsters," we see the dangerous overlap of this performative dissing and insult with actual violence--there are a few short steps from putting someone else down verbally and the humiliating game of "dance!" that Marcus has to suffer. In both cases, ego is at stake, and as you note, when the context is adolescence, gender and ego are very closely related. Just as rap will soon "graduate" to more serious and consequential violence, matched by an increase in temperature lyrically, Benji and his crew quickly graduate from imitating Run-DMC in a rap battle to imitating gunfighters shooting it out, with no safety goggles!

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